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From royalty to poverty: the inside scoop on Queendom's downfall on BET

Written by TVSA Team from the blog Queendom Teasers on 13 Aug 2024
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The behind-the-scenes crisis of BET's Queendom has been a nasty, sad state of affairs. 

Viewers spent their precious hours committing to the show for four months, only to have it ripped away, replaced with repeats, with no explanation from the channel.

The cast and crew have suffered for months. They haven't been paid by production house Clive Morris Productions and they have no certainty about what's happening with the show next. 

Last we heard Clive Morris Productions has been scrambling to find money to continue production while BET "engages" with the production house.

And now an industry insider who's familiar with the situation has spoken to TVSA exclusively, giving us insight into what happened.

When the show hit the repeats switch at the end of last month we told you about BET's statement regarding the money. This is it if you missed it:
 
BET is aware of payment delays by Clive Morris Productions to cast and crew of Queendom.

Queendom is a co-production, with BET responsible for half of the investment, which has been fulfilled by BET Africa.

However, CMP has encountered difficulties in securing their share of the co-funding, resulting in the delayed payments to our valued cast and crew. 

We are engaging with CMP, including cast and crew, to urgently resolve the matter.  
                                                           
-----

Our mole tells us that this is an accurate description of the financial set-up of the production but there's a third protagonist at play too: MultiChoice.

Apparently MultiChoice puts pressure on international channels to have local shows so they put pressure on BET to do a local series and BET and Clive Morris struck a deal - the same deal they had for previous telenovela Isono.

BET would foot half the bill and Clive Morris needed to get funding for the rest, which is where is the deal went bang because the funding didn't materialise. 

Which brings us to the matter at hand Your Honour... who's to blame? Where did it go wrong? This is our argument in 3:

1.

On a scale of 1 to 10 with 10 being Most Guilty and 1 being Not Guilty, we put MultiChoice at 1.

They should put pressure on international channels because it's the right thing to do. Firstly because many South Africans love local shows so it's to the channels' benefit and secondly, it's courteous and respectful.

It shows an appreciation for our culture and people and gives the sense that the channel wants to be part of our cultural landscape. They're doing business in our country and should give something back.

7.

We put Clive Morris Productions at 7 on our Guilto-meter because he should never have made the deal. OR he should never have agreed to start production until complete funding for the show was fully secured. You can't commit to actors and crew without knowing the funds are guaranteed in your bank account!

10.

BET are to blame. They should have paid for the whole thing, no questions asked. Their holding company Paramount's supposed to be such a big stuff - why don't they have the cash to fund a local series?

The BBC does it all the time with shows like Come Dine With Me South Africa and the reality lows of Listing Jozi and Cape Town. Those two are awful, but still, at least they run a full season and people get paid.

BET should never have made such a deal. They should have paid for it 100%. They've dumped responsibility on the production house but ultimately they're responsible.

Agree/disagree? Let us know.

                                         

Shows in this post: Queendom

Channels in this post: BET



2 Comments

charmed_dude
14 Aug 2024 11:09

This is quite a confusing and weird situation honestly.

Because had this been an SABC / similar story - they would have funded it entirely and paid the production house for the series. Production would have ended when SABC stopped paying the production house licencning or fees for the episodes to air. 

BET is in the wrong here, most definetly - but I need to know what Clive Morris gets out of this.

BET is contractually obligated by Multichoice to pad some local productions into their schedule but if they cannot commit to such an investment, why do a daily drama and not a few other cheaper productions to add to the schedule.

Multichoice pushing channels to have local content also pads viewership and their subscriber numbers so they should be rewarding the channels with 100% of at least ad sales of an episode. Multichoice gets enough from its' subscribers.

I have also been under the assumption a channel will commission a production, a pay a production house x-per episode / per season for this and the Production house will then source talent and formulate a production based on this.

In this theory there should have been a number provided by BET and why was it not 100% of the production since they're commissioning the series for their channel.

The same and similar how SABC would pay production houses for their shows. When the SABC didn't have money - those halted production until payment was made.

I can't understand why the production house needs to come up to half the production on what seems quite unfair. BET recoups costs paid in commisioning in ad sales - unless Multichoice eats a chunk of this - but they should be held liable to pay for the entire thing - or order a series they can fully afford.

The only other thing that would make sense is that after a first run airing, the series is owned by Clive Morris and they are able to then re-sell the series to another market to recoup their costs. Such as what they did when eTV became a second free window and purchased Isono or AmazonPrime purchased The Estate. This would allow them to make some sort of profit or pay production on their percentage owed.

What deal was in place that now went sour for Queendom for second rights that Clive Morris thought would fund their portion - but now seemingly has not paid out? Is eTV to blame?

I am in the guessing game this was pitched to eTV to purchase after this season but with eMedia investing very heavily with their huge amount of producitons - makes no viable sense to then go through and purchase yet another title or they too see a better return on investment keeping their productions "in house" than buying it off.

Okay so maybe a fourth suspect to this baffling case!?

TVSA Team
14 Aug 2024 15:24

TVSA Team edited on
8/14/2024 3:26 PM


Excellent detectivising charmed_dude - that's a very possible explanation with a suspect we need to look at closely. 

>>The only other thing that would make sense is that after a first run airing, the series is owned by Clive Morris and they are able to then re-sell the series to another market to recoup their costs. <<

Yes, our understanding of this type of co-production set-up is that the production house gets to keep the rights to the show and can re-sell it if they want to. 

As you say, they might have thought a sale to e.tv was a done deal and would make up the co-funding because of e.tv airing Isono previously and then it didn't happen.

A similar situation arose with e.tv and uBettina Wethu which also had deals with different broadcasters - one moment it was on e.tv in primetime, then it was ripped and moved to eExtra until it disappeared.
 


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